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    • Home
    • About
    • Shop
    • Saggar Fired Gallery
    • Sealed Earth Gallery
    • Local Clay Slipware
    • Taster Sessions
    • Firing Workshops
    • Classes
    • Exhibitions/Events
    • Contact
    • PRE-ORDER YOUR COPY HERE
  • Home
  • About
  • Shop
  • Saggar Fired Gallery
  • Sealed Earth Gallery
  • Local Clay Slipware
  • Taster Sessions
  • Firing Workshops
  • Classes
  • Exhibitions/Events
  • Contact
  • PRE-ORDER YOUR COPY HERE
Alison West Ceramics

Alison West Ceramics - Saggarfired Ceramic Art

Alison West Ceramics - Saggarfired Ceramic Art Alison West Ceramics - Saggarfired Ceramic Art Alison West Ceramics - Saggarfired Ceramic Art

SAGGAR FIRED GALLERY

Studio shelves (come and visit!)
Wild clay terrasigillata with blue/black terrasigillata silver necked vessel
Horsehair firing with wild clay terrasigillata
Horsehair firing with wild clay terrasigillata
Blue glazed mug
Wild clay terrasigillata vessel
Vessel with wild clay terrasigilllata with silver neck
Grey/green glazed espresso cups
Wild clay terrasigillata with horsehair firing
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SAGGAR FIRING

loading a saggar in my old raku kiln

Saggar Firing Technique

A saggar is a type of kiln furniture—a ceramic box-like container traditionally made from fireclay—used to enclose and protect pottery during firing. Historically, saggars safeguarded ware from direct flames, smoke, gases, and kiln debris, preserving the surface quality of the pieces inside. Today, saggars continue to be used to shield pots from flame contact and kiln damage.

For my work, I use a repurposed stainless steel beer keg as a saggar, firing it inside a downdraft brick kiln. My pieces are made from Cornish stoneware clay and are sprayed in layers of wild clay terra sigillatas, enhancing their natural surfaces with subtle depth and texture.

Before firing, I wrap each pot in carefully foraged plants collected from Dartmoor and the Devon coast. These organic materials ignite or smoulder during firing, leaving unique, smoky marks and textures on the surface of the pottery. This process creates a one-of-a-kind connection between the work and the landscape, embedding the essence of place into each piece.

Foraged materials for firing and decorating
Maple leaf for surface decoration (and my kitty, RIP Marie)
Saggarfiring plates with foraged materials and vermiculite
Vases with wild clay terrasigillatas
Horsehair Firing
Saggarfired bud vases with organic materials for surface decoratin
Wild clays and silver necked vessel with fern decoration
Saggarfired mugs fired with  foraged materials from Dartmoor
At @potfest a few years ago
Before firing



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